Robbie Arnott is a tremendously talented and unique voice in Australian literature, and his third novel, Limberlost, exceeded all my expectations. It is a gorgeously written coming- of-age novel, set in a Tasmanian river valley. Ned’s two brothers are away at war, and news of their wellbeing is becoming increasingly sparse. Ned is left on the farm with only his kind but curt older sister and his withdrawn, reserved father.

In an effort to distract himself, Ned spends the summer hunting rabbits and selling their pelts to create slouch hats for soldiers. On the surface, this presents as an opportunity for Ned to do his part in the war, but internally, he is desperately hoping to make enough money to buy the one thing he’s always wanted: a boat.

Arnott packs a lot into such a short novel, including an intimate focus on nature and on rare and majestic animals, the struggles of life on an Australian farm, and Ned’s transition from teen to man to parent. The narrative shifts back and forth in time – which I occasionally found to be somewhat disorienting – but when those threads are connected, what results is a touching and profound depiction of connection, grief and familial love.

Arnott has a talent for ensuring scenes are not cluttered with action. Instead, you are given the space to truly feel each moment and take in every detail. In that sense it is a slow read, but of the good kind, of the raw, emotional and atmospheric kind.

Limberlost is much more grounded in realism than Arnott’s previous novels, Flames and The Rain Heron, but still holds the same sense of wonder and mysticism that he is known for. It is a quiet book filled with underlying tension, and when that tension is finally released, I found myself doing something I rarely ever do when reading – I cried.

Celeste Deliyiannis is from Readings Emporium